VALENTINO SS25
*Theatrum Mundi
written SARAH ARENDTS
Valentino SS25 moves beyond the realm of fashion, unfolding as a staged delirium where beauty performs in its purest form.
Alessandro Michele constructs a world where nothing is static, garments exist in flux, and identity bends toward theatrical excess. The collection channels movement—not as a metaphor, but as a tangible force. Fashion, in its essence, is a construction. Here, it is also a deconstruction, an invitation, a distortion.
Valentino
SS25 Campaign Pavillon des Folies
Each campaign frame is a performance, captured through Glen Luchford’s lens. Fabric rustles, lace distorts, silk drapes and clings with the inevitability of a script already written. The past lingers in embroidered surfaces, but the gesture is present, immediate. Rooms, once confined, stretch into liminal stages where models become vessels of transformation.
The cast moves through this imagined theater with the quiet tension of something unscripted. Jonathan Kaye’s styling sharpens the characters: punctuated silhouettes, lace gloved hands, the weight of a brocade, the sharp punctuation of a heel bow-tied in velvet.
The maison’s codes thread through the composition, but the script shifts. The stage is the Pavillon des Folies, a place without fixed identity, where beauty acts as a force, not an object. Alessandro Michele directs, but the narrative unfolds as an open-ended provocation.
Valentino
SS25 Campaign Pavillon des Folies