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LE MILE Magazine Introduces Step Into The Light by Andrew Winghart Columbia Performing Arts Center.jpg
LE MILE Magazine Laura Banfield Fashion Performance Creative Way with designer Claire Myers Lambert Brand.jpg
LE MILE Magazine Laura Banfield Fashion Performance Creative Way with designer Claire Myers Lambert Brand.jpg
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Beauty Arena - Artificial Beauty


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Beauty Arena - Artificial Beauty


  

BEAUTY ARENA
*with Lysa Thieffry


Beauty Arena stages a pageant where trophies, sequined lips, neon lashes and pixel-heavy faces occupy the same floor as a Louis Vuitton bag overloaded with charms, mascots, plastic trinkets and memories that cling to its handles as if they had been waiting for this arena to exist.

 
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Figures arrive dressed in jerseys, latex stockings, leather belts, ribbons, wigs and butterfly tattoos that glitter under studio light, a cast that parades and multiplies while the camera drifts across them without pause.

Poses stretch into new poses, every gesture exaggerated until it spills over, every costume layered until it swallows the screen, a sequence that keeps producing its own energy. Artificial intelligence feeds this spectacle with an endless appetite, stitching fragments into new surfaces, melting shadows, saturating colors, pushing portraits beyond recognition and yet insisting on display. The figures remain inside this current, performing, collapsing, reforming, always illuminated, always held in the rhythm of a stage that refuses to slow down.

 
 
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Scenes pile up: nails extended into sculptures of plastic and resin, eyelashes that beat louder than the soundtrack, a teddy bear recycled as prop, pillow, fetish, guardian, a body stretched across the floor wrapped in metallic strings, lips painted into shining ornaments.

Beauty here turns restless, spilling into code, fabric, gloss and skin, a generator of endless decoration. Beauty Arena moves forward without conclusion, its choreography looping through exaggeration and repetition, its voices circling inside a synthetic echo, its images flashing until the eyes surrender. The film unfolds as parade and archive, arena and spectacle, a flow of beauty without exit, a flood of glittering surfaces that refuses to fade.

 
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fashion PUMA, ROMBAUT, EMPTY BEHAVIOR, A BETTER FEELING, LÉAWALD, JACQUEMUS, PINKO, SKIMS, YUME YUME, JULIE KEGELS, 2000SARCHIVES, SANDRO, GUCCI x ADIDAS, JIMMY CHOO, CÉLINE KWAN, NUOVO PARIS, LA MANSO

director + creative director LYSA THIEFFRY
dop MAXIME KATHARI

global executive producer BRICE PASSIEN
head of productions BENOÎT BERLAND
production manager HANA TALEB
superviseur vfx PIERRE LE GOFF

1st ad PAULINE CAILLAT + ANTOINE DESANTI
1st ac LOLA LOUBET
2nd ac FLORETTE MARIOT BÉLY
3rd ac JADE CHAIMOVITCH + IRÈNE GIBERT
key electrician TIMOTHÉ HOURANT-FAIVRE
electricians VADIM SAYDE + LOÏC LATAPIE
key grip ZUY VIRAPHONG
grip SALOMÉ CARLSEN
motion control operator SIMON PINELLI
assistant motion operator JADE LE BRIS

set designers LUCIE AUDAU + NATASHA LE SOURD
stylist CAMILLE MARTINOT
assistant stylist VICTORIA DELGADO
make up artists ALICIA HOSDEY + AXELLE JERINA + MARIE VALLEE + LOUISE LOCTIN + MARCO ROSCINO
hair stylist BARTHÉLÉMY JORIS
body painter MIA VIOLET
nail stylist CAMILLA INGE VOLBERT

 
models LOA CHEA via Select Model + MANON ABBAZ via Scope Management + KEZA DIVINE via FeverMgmt + AMY LIM + SAFIA CHABBA via Revolt Model Agency + MARIE-ROSE MESSINA

head of post-production PIERRE LE GOFF
chief editor ANTOINE DESLANDES
typography MONICA LASUARDI
vfx producer MICHAËL ZARIFIAN
ia vfx CLÉMENT PAPIN
lead flame CLÉMENT PAPIN
beauty artist ANAÏS POUJOL
3d + compositing DAMIEN SOLIVEAU + LIONEL ZADUNAISKY
colorist NICOLAS GAUTIER
sound designer ANTOINE DESLANDES + SIMON SPANO
sound mix SIMON SPANO
music supervisor MARIUS MAUVOISIN
music composer SIMON SPANO

production + post production LEFT
co-fondateurs
AUGUSTIN DE BELLOY + BORIS LABOURGUIGNE
studio & motion control production SPLINE
producer LUCAS LIMONNE
ceo CLAIRE-ALIX GOMEZ
président + technical director ROMAIN BOURZEIX
head of r&d motion control ANTOINE GRASSET
head of communication JULIETTE MOREAU
vfx house VHS Entertainment
co-founders ZARIFIAN MICHAËL + GAUMONT-MOSBAH MAEL + SALVAGIONE VIVIEN
equipment rental Photocinerent
prises de vue making of LAURENA PANDOR + JADE TIOZZO
photographe plateau MATHIEU CLAVIER
editor bts WILLIAM KIDOUCHIM

LE MILE Magazine Introduces Step Into The Light by Andrew Winghart Columbia Performing Arts Center.jpg

LE MILE Introduces TV


LE MILE Introduces TV


.LE MILE INTRODUCES

 
 

*Step Into The Light
by Andrew Winghart

Director Andrew Winghart offers a profound exploration of resilience and rebirth in his latest dance film, "Step Into The Light." Produced in collaboration with Columbia Performing Arts Center, the film chronicles the journey of young dancers emerging from the shadows of pandemic-induced isolation into a world radiant with newfound hope and beauty.
Originally staged as a live performance, "Step Into The Light" seamlessly transitions to the silver screen, merging haunting vocals with evocative choreography. Shot in mesmerizing 35mm, every detail, from the vulnerability in dancer Brianna Keingatti's eyes to the gentle sway of fabric, is captured with pristine clarity. Winghart's film is a testament to the human spirit's ability to find light in the darkest times. Experience yourself and find your own connection to hope.

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Immersive Performance Reimagines How Fashion Is Presented


Immersive Performance Reimagines How Fashion Is Presented


  

Performance Of Postures
*Changing How Fashion Is Presented


A performance that places the audience in the middle of the action allows fashion to be seen in a new light. Laura Banfield and Claire Myers, based in Melbourne, use a technique that suspends the models in the air to create a performance that lasts over time.

 

The latest collaborative project by Laura Banfield and fashion designer Claire Myers is called Performance of Postures. Laura's practice, which is interdisciplinary, examines bodies, materials, and fashion through performance, installations, wearable art objects, and image creation. Claire previously worked for Molly Goddard and then went on to start Lambert, a womenswear label that uses upcycled post-consumer textiles and digital prototyping.

 
 

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Performance of Postures

Performance directed and produced by Laura Banfield and Claire Myers

 
Watch Performance
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Performance of Postures, which was presented at Melbourne Design Week 2022, featured a number of local experimental fashion designers. The event, which took place at the Australian Native Garden, consisted of models assuming ethereal still-life poses with the assistance of a body-suspending installation.

 
 
 

The performance was designed to challenge conventional ways of presenting fashion, such as on a runway or in an exhibition. As the models held their elevated poses, viewers were invited to interact with the performance. Instead of staying in one place, audience members gradually moved around, looking at the work from different angles. The audience’s exploration of the levitating models and their clothes, enhanced by different viewing angles and distances, allowed for new perspectives of bodies, performance and fashion.

 
 
 
 
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credits

Photographer: Kaede James-Takamoto
Featured designers: Lucinda Babi, Phoebe Pendergast, Love Manifesto, Emily Watson, Veils of Cirrus, Laura Galati, Lambert, Be Right Back, Wackie Ju
Talent: Xandria Fe Vejano, Laura Banfield, Siobhan McKenna
Installation: Laura Banfield
Crew: Laura Galati, James Fletcher, Patrick Anderson, Alice Ramsden, Kim Thompson, Gus Berenyi, Dion Tartaglione, Sian Parany, Betty Liu, Anna Petry, Bridget Petry

 
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Among the designers whose looks were revealed during the performance were Lucinda Babi, Phoebe Pendergast, Love Manifesto, Emily Watson, Veils of Cirrus, Laura Galati, Lambert, Be Right Back, and Wackie Ju.

 
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LE MILE Art & Fashion Films


LE MILE Art & Fashion Films


.LE MILE ART

 
 

Stijn Koks
*on Fashion, Process, and the Power of Objects

 
READ INTERVIEW
 
 
 

The Grotesque
*directed by Alex Zapata

 
See Full Editorial
 
 
 

THE TRIGGER
*directed by Christopher Puttins

See Full Editorial